By Professor Philip H Highfill Jr PhD, Professor Kalman A Burnim PhD, Edward A. Langhans
A big venture began in 1973 reaches its end with the ebook of volumes 15 and sixteen of the Biographical Dictionary, a chain thought of "a reference paintings of the 1st order" through Theatre and acting Arts Collections.Among performers highlighted in those final volumes is Catherine Tofts, a talented singer whose renowned acclaim used to be captured in traces by means of Samuel Phillips: "How are we pleas’d while beauteous Tofts appears, / To thieve our Souls via our attentive Ears?’ / Ravish’d we take heed to th’ inchanting tune, / And trap the falling Accents from her Tongue." the 1st singer of English start to grasp the shape of Italian opera, Tofts usually received prime roles over local Italian singers. Her salary—?400 to ?500 a season—was one of many maximum within the theatre. Her reputation declined, even though, as her calls for for cost increased—a state of affairs captured in an epigram Alexander Pope can have penned: "So vibrant is thy attractiveness, so captivating thy tune, / As had drawn either the beasts and their Orpheus along; / yet such is thy avarice, and such is thy delight, / That the beasts should have starved, and the poets have died."John Vanbrugh, whose play The Relapse is ranked as the most effective comedies of the recovery interval, grew to become a subordinate crown architect lower than Sir Christopher Wren in 1702. In 1703, Vanbrugh all started plans for the Queen’s Theatre within the Haymarket, an company counseled by way of the package Cat membership (of which Vanbrugh used to be a member). although his lavish layout was once acoustically faulty, restructuring helped right the matter and the theatre finally grew to become the particular middle for opera in London.
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Additional resources for A Biographical Dictionary of Actors, Volume 15, Tibbett to M. West: Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800
John Williams in his Pin Basket to the Children of Thespis in 1797 put it in verse: Her Nell, and her Tomboyher Hoyden, and Prue, Make my happiness stronger the oft'ner I view: But her Juliet! oh, zounds, what a Mantuan pattern! Would a man, damn his kindred to grapple a slattern? Her coif seem'd so greas'd, and her vestment so worn, In the rage of the fete she look'dfinely forlorn. " Charlotte Tidswell died at the age of 86 on 3 September 1846, according to Giles Play-fair's Kean. Miss Tidswell appears as Corinna, with William Parsons as Old Philpot and John Bannister as Young Philpot, in an engraving by an unknown artist of a scene from The Citizen.
Dr Burney never heard Mrs Tofts, but on the basis of the music written for her he was able to draw some conclusions. She seemed to have endeared herself to an English audience by her voice, figure, and performance, more than any preceding singer of our own country whose name and excellence have been recorded. This performer had songs given to her in all styles; her compass, however, did not surpass the common limits of a soprano, or treble voice. With respect to her execution, of which we are still enabled to judge by the printed copies of her songs, it chiefly consisted in such passages as are comprised in the shake, as indeed did that of most singers at this time.
Tinley was named in the accounts again in 18023 and 18034. Mrs Tinley was cited in 179495 as working in the women's wardrobe for 10s. 6d. weekly. Tinley, Mrs [fl. 17941795], dresser. See TINLEY, MR. Tinns, Mrs [fl. 1750s], dresser. George Ann Bellamy in her Apology wrote that Mrs Tinns was the dresser she left behind at Drury Lane Theatre when she finished her engagement there. Mrs Tinns therefore must have been active at the theatre in the 1750s. ] Rovedino [fl. 17781780], dancer, singer? Signora Tinte (sometimes, and perhaps correctly, "Tinti") was an Italian dancer whose first recorded appearance in London was at the King's Theatre on 31 October 1775.
A Biographical Dictionary of Actors, Volume 15, Tibbett to M. West: Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800 by Professor Philip H Highfill Jr PhD, Professor Kalman A Burnim PhD, Edward A. Langhans